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But today, I want to share a quick tip for improving your footage that was shot with the native Apple camera, which is also capable of great results. There are workflows for achieving those type of results using third party apps (like the incredible Filmic Proapp). In any case, if you’re reading this article you are likely trying to break out of the stock iPhone aesthetic and find something more tasteful for your project. It’s not that there is anything “wrong” with the native iPhone look per se, but it’s just not exclusively intended for filmmakers seeking a polished narrative or high end documentary look. This is a result of many factors – sharpening, internal processing, small sensor size, and to a large degree color science. With that said though, iPhone footage does still come off the camera with a baked-in video look. And as I’ve learned recently, the raw footage is very easy to grade – or even match to other cameras like the Arri Alexa. Virtually any iPhone model released in the last 4 – 5 years is capable of producing pretty incredible video results in the right hands. Some Motion templates on this webpage are available from this quick post I am going to walk you through a very simple color grading workflow that will elevate your iPhone footage and make it appear as if it were shot on a cinema camera.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a complex 5-minute project with 8K ProRes 422 media. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM, and 8TB SSD.Prerelease Final Cut Pro 10.6.2 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. Prerelease Final Cut Pro 10.6.2 tested using a 1-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD.macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15.